Sunday, November 21, 2010

Guzaarish


Rating : 3/10
Release Date : 19th Nov, 2010
Time : 135 minutes
Director, Writer & Music : Sanjay Leela Bhansali;
Starring : Hrithik Roshan, Aishwarya Rai Bachchan, Aditya Roy Kapur, Shernaz Patel, Suhel Seth, Monikangana Datta


Imagine a collection of beautiful still photo’s featuring the same people in different settings. Now set them on slide show. Add some music in the background. Could you now call it a feature film ? That’s my biggest issue with Guzaarish…



I’m struggling hard to articulate all the things I didn’t like about this film politely. The fact that it’s a senseless film masquerading as a pseudo-intellectual one ? Or its picture perfect in terms of sets, camera angles, lighting at all times (even in court or while brushing teeth, anytime, anywhere) ! Or all that humbug about it teaching you to love life (it most definitely doesn’t) ? Or the fact that it desperately tries to manipulate you emotionally, leaving no tear undropped during the film ? I think every character in the film sheds a tear or two, even if they come for a couple of minutes only…I mean everyone ! That must be a record of sorts ?


Even the acting prowess of India’s best looking and most electric screen lead pair is not able to redeem the film. The music is nice (a bit too jazz-ish, a bit too heavy at times) but its nice. And as mentioned before, its stunningly picturesque – every production set designer should learn from this film on how to spend money by building lavish sets, colour coding everything etc.


Hrithik is a quadriplegic for the last 12 years (some confusion on whether its 12 or 14 but let that pass) ever since a magic trick went wrong. He used to be the worlds best magician and now, thanks to damage to his spine, he cannot do any physical function apart from controlling his neck, even though his mental faculties remain intact. Aishwarya is the devoted nurse who looks after him, taking complete care of him. Hrithik seems to have coped well – he’s written a book, given speeches on how to live with dignity and also runs his own radio station. One day, suddenly, without any catalyst or reason, he decides he wants to die and appeals for euthanasia. Most of the film is about this ‘fight’, the battle to choose his own death.


Other sundry characters include Suhel Seth as a simpering doctor who alternates between huge grins and sad faces with moist eyes, Shernaz, as Hrithiks lawyer, who alternates between feistiness and sad faces with moist eyes, and Aditya who comes out of the blue as Hrithik’s student for magic and alternates between inane jokes, silly behaviour and sad faces with moist eyes. You get the idea ?


What gets my goat is that its un-intelligently made. With a little bit of more thought, less creative push, it could’ve actually been an interesting film. Most galling is the lack of character development. What is the paraplegic thinking, what goes on in the nurses mind ? Why are the doing what they’re doing ? Most things in the film, Hrithik’s behaviour, Aishwarya’s actions, Shernaz, Suhel even the lawyer and the judge, never make sense or we have no way of knowing their motivations. And since we cant understand any of it, the film drags, like a Chinese water torture (shown in the film), it dulls the mind, scene by excruciating scene. And the dark colours of the film aid and abet depression.


I really think that no one in the industry moves better than Hrithik. There is a grace and ease of movement about him, a fluidity while dancing or even just shimmying around, that places him head and shoulders above everybody. This is aptly demonstrated once again in the film. I really do believe that Aishwarya remains the most beautiful woman on screen. And her emoting has steadliy got better. Again, this film does everything to convince you of the same. Apart from that its tough to find a single redeeming feature


This is a storyteller who, possessed by an idea, didn’t bother to flesh it out properly. Either that or I’m one of those dumb idiots who just does not get it, who cannot recognize a thing of beauty if it waltzed right in front of my eyes.

Sunday, November 14, 2010

Due Date


Rating : 7/10
Release Date : 5th Nov, 2010
Time : 100 minutes
Directors: Todd Phillips; Writers : Alan R Cohen, Alan Freedland; Music : Christophe Beck
Starring : Robert Downey Jr, Zach Galifianikis, Michelle Monaghan, Jamie Foxx, Juliette Lewis


“Dad, you were like a father to me”


Robert Downey Jr is a very angry man. Due to a series of unfortunate events, he was chucked off from his flight, shot by a federal marshall (albeit with a rubber bullet), put on a no-fly list and is now without any ID, wallet, credit cards or money. And he has to get back home in time for his baby’s birth. Also, his only choice is to drive cross country with the man responsible for all of this, Zach Galifianikis (and his dog).


Surreal, very funny scenes are the order of the day. While buying weed (for his glaucoma), Zach (an aspiring actor for Two and a Half Men) recites paragraphs from Godfather for the dealer (Juliette Lewis). The response, when he finishes, is worth the price of the ticket. Or the tete a tete Robert has with Juliette’s kids while she and Zach are conducting their business.
Or the whole sequence in Western Union. Or the conversation about perms. Or the car masturbation sccene. Shakespeare the pirate. The man-made Grand Canyon. The Hoover dam built by the piligrims. The confusion between Mexico and Texaco. The Dads ashes in the coffee can and that leading to the ‘Circle of Life’. How a conversation about Robert’s wife’s possible infidelity leads on to a question about San Diego zoo.


There is no end to truly laugh out loud moments. However, it does get a bit unreal and too over the top towards the end, a bit too much to digest. But even in those moments it keeps you laughing and since it manages to connect you with its lead pair, painting their characters quite well, it manages to keep you interested.


While this one doesn’t have the cohesiveness, brilliance or longevity of ‘The Hangover’, it does have some of its madness and its unexpected, irreverent brand of humor. An enjoyable watch that will make you leave the theatre smiling…

Sunday, November 7, 2010

L'amour c'est mieux à deux


Rating : 7/10
Release Date : 5th May, 2010
Time : 99 minutes
Directors: Dominique Farrugia, Arnaud Lemort; Writer : Franck Dubosc; Music : Thomas Dutronc
Starring : Clovis Cornillac, Virginie Efira, Manu Payet, Annalise Hesme, Laurence Arne

I’ve no idea how the French do it. Come up with delightful, quirky, romantic comedies so often and so effortlessly.


Michel (Clovis) is brought up on stories of great romance via chance encounters. His grandparents, parents, almost everyone he knows who are in love, met via fate. For him, its unthinkable that true love can start any other way. Vincent (Manu Payet), his best friend thinks completely differently. He is a divorce counsellor and for him one of the almost stated perks of his job are the desperate women he meets and beds.


One day, Vincent meets his current girlfriend, Nathalie’s, best friend Angele (played by Annalise and Virginie respectively). He thinks she will be great for Michel. And so with Nathalie’s help he proceeds to set up a chance meeting between Michel and Angele. The two hit it off really well, neither has ever been happier. Until Michel finds out it was contrived.



I enjoyed the conversations between Vincent and Michel. I enjoyed the way Michel is slightly flaky, going to the peace corps in Ecuador, dreaming of meeting his true love while a jazz band is playing etc. I enjoyed his reaction when a woman he least expects comes on to him in a not too subtle way. I like the way Vincent is equally business-like about his affairs, with no qualms, guilt or self-doubt, mixing business with pleasure with practiced ease.

Other key characters are a doting secretary, a disabled sister, a very aggressive costume rental store owner and a very expensive hand-made Mexican hat. But the film belongs to the idio-syncratic leads, each of them wonderfully real but loony enough to make interesting watching.



The end is slightly predictable but the characterisation fresh and the journey fun ! Enjoy…